The best bit was when soprano Amelia Watkins, in a curly blond wig and a nurse costume, hilariously unleashed a desperate aria, “Please don’t take my brain!” as she was threatened by, among other things, a saw.
— The Wall Street Journal
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Soprano Amelia Watkins has performed with leading orchestras and opera companies in the United States, Canada, Asia and Europe. Since her European debut at the Leipzig Gewandhaus, she has appeared with the Los Angeles Opera, New York City Opera, the Prototype Festival, the Estates Theatre/National Theatre Prague, the Brooklyn Academy of Music, Carnegie Hall, Weill Hall, Lincoln Centre, the Tanglewood Music Festival, the Verbier Festival, The National Arts Centre, EMPAC, Joe’s Pub, and in concert in Hong Kong. Her operatic roles include Norina (Don Pasquale), Despina (Così fan Tutte), Zerlina (Don Giovanni), Musetta (La Bohème), Mme. Herz (The Impresario), Gretel (Hansel & Gretel), Frasquita (Carmen), Dafne (Apollo e Dafne), and extensive scenes of Handel heroines Armida and Cleopatra performed with baroque orchestra. Oratorio roles include Handel's Messiah, the Requiem of Mozart, Fauré and Rutter (performed at Carnegie Hall), and of Manfred Trojahn (at the Gewandhaus), Mozart's Exultate, Jubilate and Coronation Mass, and Mahler's Symphony #2, performed at The National Arts Center in Ottawa.

Embracing musical styles from Bach to Berio and beyond, Amelia specializes in the works of living composers. She recently drew praise of her performance as Brainy Woman in Michael Gordon and Deborah Artman's critically acclaimed opera Acquanetta, directed by Daniel Fish. Amelia has sung premieres and works by Paola Prestini, Augusta Read Thomas, Missy Mazzoli, Greg Spears, Mikael Karlsson, Nick Hallett, and Mohammed Fairouz, and champions the texts of her fellow Albertan, librettist Royce Vavrek. 

Amelia has been featured on the Grammy-nominated album Vocabularies with Bobby McFerrin, the upcoming debut recording of Michael Gordon and Deborah Artman's Acquanetta, Missy Mazzoli and Royce Vavrek’s highly acclaimed opera Song From The Uproar, and on Albany Record’s New Growth. Her film and television work includes singing Casta diva in Breastmilk:The Movie (produced by Ricky Lake), Bravo TV Canada's "Comédies Musicales", and various commercial and indie film scores. Amelia sang Lucia’s Mad Scene and other works on Jeanine Oleson’s video installation exploring the human voice entitled “Hear, Here”, on view for 4 months at the New Museum. A versatile singer and lover of all genres of music, she also enjoys backing up rock bands on the New York City circuit.

A graduate of the Manhattan School of Music, and the Oberlin Conservatory of Music, Ms. Watkins is the recipient of multiple substantial grants from the Canada Council for the Arts, The Jacqueline Desmarais Foundation for Young Canadian Opera Singers, and has been recognized in other regional, national and international competitions. She has been a fellow at the Tanglewood Music Festival, a Young Artist at Berkshire Opera, a featured academy artist at the Verbier Festival, participant in the Cleveland Art Song Festival, the Carnegie Hall Professional Training Workshop with Thomas Quasthoff, and a resident performer with the Metropolitan Opera Guild outreach program.

Amelia is a citizen of Canada, Ireland (European Union), and the United States. She lives in Westchester County, NY, with her husband, and their dog, Donhenley.